![]() expands the vision of cultural studies by providing a new account of how critical theory can extend (rather than denounce) the Enlightenment and a new example of how synthetic intellectual history can contribute to (rather than impede) well-informed critical thinking."- "Comparative Studies in Society and History" ". Jay's magisterial history is essential reading for anyone trying to bring the intellectual life of the twentieth century into focus."- "San Francisco Chronicle" ". ![]() ![]() The most powerful effect of Jay's study is to coney how beliefs about the eye and 'the gaze' (as Sartre called the objectifying vision of strangers) found coherent views about human self-understanding and political analysis. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. His books include Force Fields (1992), Marxism and Totality (California, 1984), Adorno (1984), and The Dialectical Imagination (1973).Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. Martin Jay is Sidney Hellman Ehrman Professor Emeritus of History at the University of California, Berkeley. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.ĬHAPTER ONE: The Noblest of the Senses: Vision fromĬHAPTER THREE: The Crisis of the Ancien Scopic Regime:ĬHAPTER FOUR: The Disenchantment of the Eye: BatailleĬHAPTER FIVE: Sartre, Merleau-Ponty, and the Search forĬHAPTER SIX: Lacan, Althusser, and the Specular SubjectĬHAPTER SEVEN: From the Empire of the Gaze to the SocietyĬHAPTER EIGHT: The Camera as Memento Mori: Barthes,ĬHAPTER NINE: "Phallogocularcentrism": Derrida and IrigarayĬHAPTER TEN: The Ethics of Blindness and the Postmodern His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture.
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